
01 / Project facts
The work, at a glance.
- Client
- Hungarian State Opera
- Title
- Dead Man Walking
- Type of work
- Theater (video, animation, stage and light design)
- Creator / artist
- Balazs Fügedi, Norbert Tóth, Zsombor Czeglédi
- Year
- 2020
- Tech stack
- UnityBlenderDaVinci Resolve StudioFusion StudioPhotoshopPremiere Pro
02 / About
Behind the project.
Dead Man Walking is an opera by American composer Jake Heggie, with a libretto by Terrence McNally based on Sister Helen Prejean’s autobiographical book. It follows Sister Helen as she becomes the spiritual adviser to Joseph De Rocher, a convicted murderer awaiting execution on Louisiana’s death row. Through their relationship, the opera confronts capital punishment, guilt, forgiveness, responsibility, and the possibility of redemption, while refusing to reduce either the victims or the condemned man to simple moral positions.
For the Hungarian State Opera production, directed by András Almási-Tóth, we developed both the set and the visual world around a large V-shaped LED display that formed the central spatial element of the stage. The imagery was inspired by photographs taken by lead singer David Adam Moore during a visit to the Louisiana prison connected to the story. Rather than reproducing these photographs directly, we used them as references for the architecture, atmosphere, textures, and spatial character of the prison, translating documentary observation into a stylised scenic and moving-image environment in which the physical set and digital imagery functioned as a single visual system.
03 / Gallery
A visual glimpse.
04 / Recognition
Reviews, press & awards.
Selected responses and milestones surrounding the project.
Mértékadó / Magyar Kurír
"Cinematically paced, using both realistic and suggestive animation and symbolism."
Tamás Pallós / 2022
Opera Online
"Powerfully staged / The final scene is particularly moving."
Dr. Helmut Christian Mayer / 2021
Der Opernfreund
"Brilliantly executed glitches make the action feel virtual, yet still clearly distinguishable from real life."
Harald Lacina / 2021
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